The Digital Age Reshapes Literature
This article by Lev Grossman in Time Magazine (Feb 2 2009) is exciting. It’s always bothered me that publishing industry seems to push writers into colonial and defensive positions, which seems so…last century. On top of that, the industry itself is in distress, laying off staff in large numbers. Grossman looks at how attitudes towards self-publication have changed in the last two years, and paints an interesting picture of Old Publishing and New Publishing. Excerpts from the article below. Read the full article here.
[Publishing] is evolving, and so radically that we may hardly recognize it when it’s done. Literature interprets the world, but it’s also shaped by that world, and we’re living through one of the greatest economic and technological transformations since–well, since the early 18th century. The novel won’t stay the same: it has always been exquisitely sensitive to newness, hence the name. It’s about to renew itself again, into something cheaper, wilder, trashier, more democratic and more deliriously fertile than ever.
[and] People are still reading. According to a National Endowment for the Arts study released on Jan. 12, literary reading by adults has actually increased 3.5% since 2002, the first such increase in 26 years.
[but] shipping physical books back and forth across the country is starting to seem pretty 20th century. Novels are getting restless, shrugging off their expensive papery husks and transmigrating digitally into other forms. Devices like the Sony Reader and Amazon’s Kindle have gained devoted followings. Google has scanned more than 7 million books into its online database; the plan is to scan them all, every single one, within 10 years. Writers podcast their books and post them, chapter by chapter, on blogs. Four of the five best-selling novels in Japan in 2007 belonged to an entirely new literary form called keitai shosetsu: novels written, and read, on cell phones.
For the first time in modern history, novels are becoming detached from dollars. They’re circulating outside the economy that spawned them.
Self-publishing has gone from being the last resort of the desperate and talentless to something more like out-of-town tryouts for theater or the farm system in baseball. It’s the last ripple of the Web 2.0 vibe finally washing up on publishing’s remote shores. After YouTube and Wikipedia, the idea of user-generated content just isn’t that freaky anymore.
…there are cultural sectors that conventional publishing isn’t serving. We can read in the rise of self-publishing not only a technological revolution but also a quiet cultural one–an audience rising up to claim its right to act as a tastemaker too.
…more books, written and read by more people, often for little or no money, circulating in a wild diversity of forms, both physical and electronic, far outside the charmed circle of New York City’s entrenched publishing culture. Old Publishing is stately, quality-controlled and relatively expensive. New Publishing is cheap, promiscuous and unconstrained by paper, money or institutional taste. If Old Publishing is, say, a tidy, well-maintained orchard, New Publishing is a riotous jungle: vast and trackless and chaotic, full of exquisite orchids and undiscovered treasures and a hell of a lot of noxious weeds.
…if that sounds alarming or tragic, go back and sample the righteous zeal with which people despised novels when they first arose. They thought novels were vulgar and immoral. And in a way they were, and that was what was great about them: they shocked and seduced people into new ways of thinking. These books will too.